29 October 2015

Mozart

Recently, I took myself to the Conservatory of Music, to hear a program titled "The Soul-Searching Mozart," which featured two G-minor works: the Viola Quintet K516, and Symphony 40. The third movement was the best of the Quintet. A student friend remarked that the movement inspired a work of Beethoven, but, alas, I forget which. And the tempo of the last movement of the symphony was very brisk, more so than I've heard before. The orchestra carried it off.... G-minor was apparently Mozart's choice for conveying tragedy and emotional distress; whatever the case, Mozart was far from overwhelmed by distress, and joy, delight even, were never far away. This was an interesting program, a nice inclusion in the Conservatory's "Classical Kick-Off Weekend ." I went from this performance, to another recital hall, for a program titled "Embellished Mozart": some arias with fortepiano or guitar, an item by J C Bach, and an overture arranged for two guitars. A pleasant hour.

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